Lace, silk & corsets – Dreamy formal at EFW

Last Friday night I went to the Magnolia-Shefelt-Anna Talbot show which was a great grouping of formal and boudoir-ish designs by ladies from right here at home.
Photo credits: Peter Holst for Pure Magnolia, Peter Jensen for Anna Talbot, and Shefelt
Big thank you to Anna Talbot for the leads on the photos.
I’m a huge fan of Patty Nayel‘s designs, which range from traditional to edgy. I loved the blue-laced and the dark purple silk bodices, which were much more dramatic than the traditional white.
There were also some really low-cut, strapless necklines, which only models could probably sport. But I’d never go for that style anyway.
Shefelt is the brainchild of a designer named Hamideh who is a friend of a friend. I don’t really know how to describe her line – but the vision of the collection was definitely there. There was one ghostly soundtrack that kept playing over and over again while the models walked excruciatingly slow to it. Then the track changed to something more upbeat, but they weren’t walking any faster. So that kind of threw me off. But you weren’t bored by any of it.
Some of the models came out with masks, echoing the ghostly ambiance.
Dress
(I would totally wear this as a wedding dress outdoors in a field)
It sucked that I couldn’t see most of the bottom halves of the dresses, because what I saw on top was completely different than anything I’ve ever seen. Upon visiting the Shefelt website, I’ve learned that her primary technique is felting: “Felt refers to a non-woven cloth that is produced by matting, condensing and pressing woollen fibres and that is the main medium for my designs.” So Shefelt refers both to the technique and the emotion that the collections convey. Nice!
Though there were not nearly enough pieces to see, there were lots of things going on in each piece – ruching of different materials form wool to silk; corset work; torn fabric for a touch of imperfection; wisps of soft fabric that reminded me of pussy willows; and extremely intricate sewing.
The standout piece for me was this one collar.
And one of the models came out with a black feathered outfit and did a bird dance thing at the end.
It’s hard to see this line selling in Vancouver because it’s so different from the lines that people buy here, but if Shefelt can attract the same crowd that are fans of Jeff Garner, I could see it working.
Emily Carr University grad Anna Talbot has a bright future ahead of her. Unlike the first two lines, her work was very simple, soft, airy, and incorporated some interesting photography and typography work I’ve never seen before aside from t-shirt printing. I only knew after receiving the photos that the models were not wearing shoes. And very minimal hair and makeup as well – very fitting for this collection.















